Accordion Accord
You and I, my lovely long-winded one,
are like sides of a squeeze-box,
going always apart to greet what we move between—
the musician’s hearty arms,
revelers slapping time on their knees,
and barefoot dancers on the sea-cove beach.
Each time, full of starlit impressions
we come back to meet
and sing of what has been seen,
then again turn away to take in the breeze
and push vibrant air into music
through ourselves to where the other is.
It’s the Day of the Dead in Juarez and Texas
and many a borders is crossed
in this Catholic Mass for a cult of the dead
from before all was altered by Golgotha.
The living pray for the missing
and the dead say the same prayers
in silence beside them.
The poor offer the gold of flaming veladores
and marigolds so the church becomes musty
with pungent commingling odors.
Those whose visabuelos lived in Texas
back when Texas was Mexico cross boundaries
to Juarez to pray with their cousins,
ninietos of those who stayed.
This day they all make tamales
to take to the graves.
With fervent recollections of dulce
the dead lick sugar skulls and flicker
the wicks of burning vigil lights.
They move unseen amid the chaos
and console their loved ones,
pray their potent cross-veiled blessings
for the pobres near the border
making their way north. They know the ones
who will join them in the days to come.
Those who have waited behind come to spend this day
as close as they may get to the fence
to be nearer the ones who have crossed.
The church with its decorated graveyard
was built in full view of the wall between worlds.
Gustavito sells Chiclets to the boys in El Paso,
passes them small colored boxes of gum
through a hole in the fence
and waits for American coins to slip back through.
Maureen Tolman Flannery’s latest books are Ancestors in the Landscape: Poems of a Rancher’s Daughter and A Fine Line. Although she grew up in a Wyoming sheep ranch family, Maureen and her actor husband Dan have raised their four children in Chicago. Her work has appeared in fifty anthologies and over a hundred literary reviews, recently including Birmingham Poetry Review, Xavier Review, Calyx, Pedestal, Atlanta Review, Out of Line, and North American Review.